Render View

Overview

Toolbar

Icon	Title	Description
	Render Button	Starts a new render.
	Start / Stop IPR	Starts and stops Redshift's Interactive Preview Rendering, intended for quick render feedback.
	Refresh IPR	Forces a refresh for your Interactive Preview Render.
	Refresh IPR	Activates Redshift Real Time (RT), the fastest interactive rendering engine available in Redshift, offering near real time updates.
	AOV Preview	Lets you select which AOV is currently displayed from a dropdown menu, this defaults to the primary Beauty pass. For more information on AOV's see here and for examples and more information on the AOV Preview menu please see here.
	Color Channels	This button lets you select which RGB channel is visible. You can choose from an isolated view of the red, green, blue, and alpha channels. For more information please see here.
	Show Output Before Denoising	Toggles between the noisy beauty image and the image after denoising. This helps you quickly see the positive (less noise) and potentially negative (less detail) effects of denoising. Denoising must be enabled in the Redshift Render Settings in order for this to work. For more information please see here.
	Region Render	Draw a custom rectangular selection to render inside using either primary bucket or interactive preview rendering. For more information please see here.
	Camera Select	This dropdown lets you specify which scene camera to use when rendering. By default the Render View is set to < Auto > and will use whatever camera is currently active in the viewport.
	Lock	Locks the render view to the current camera when enabled. Changing the active viewport while this setting is enabled will not change the render view camera.
	Bucket	Toggles bucket rendering on and off. If enabled during IPR rendering Redshift will start a new bucket render with each scene change which can help you if you are previewing AOVs, Subsurface Scattering or other things that require bucket rendering.
	Freeze Tessellation	When enabled this button freezes any Redshift tessellation from updating. This is useful for ensuring quick render previews with scenes that have tessellation, especially the adaptive variety. For more information on the freeze tessellation button please see here.
	Freeze Geometry	When this button is enabled, all geometry information, such as the radius of a parametric cube object or the point positions of a polygon object, is frozen to avoid re-translating the geometry for rendering. Changes to the geometry are no longer visible in the current render.
	Render Mode	This button provides a quick way to switch between different diagnostic modes during an IPR render. Yoou can switch between the default beauty render mode, a clay render mode, and a show samples view mode. For examples and more information please see here.
	Click to Focus	Rendering the view of a Redshift Camera, activating this option allows to set a focus distance by clicking directly into the Render View.
	Select Object	ctivating this option allows to click directly into the Render View to select an object.
	Select Material	Activating this option allows to select a material by clicking on a surface in the Render View.
	Snapshot Panel	Toggles the visibility of the Snapshots bar. Snapshots are saved versions of previous renders that are helpful when comparing different renders. For examples and more information please see here.
	Snapshot	Saves the current image visible in the Render View to the Snapshots bar. This includes the ability to save images of AOVs besides the default Beauty and to be able to compare saved render snapshots. For examples and more information please see here.
	Snapshot to Picture Viewer	Sends the current Snapshot to the Cinema 4D Picture Viewer and opens the Picture Viewer.
	Copy Frame Buffer	Copies the current image visible in the Render View to your clipboard allowing for easy pasting elsewhere.
	IPR Render Zoom	This displays and controls how far you are currently zoomed into your render in the render view. 100% means you are viewing it at native resolution. For more information please see here.
	Zoom Mode	There are several different zoom modes to choose from in the render view via this dropdown menu. For more information please see here.
	Settings	Toggles the visiblity of the Render View settings panel and it's three tabs: display, pixel, and snapshot. This panel can provide you with many different details and options for your renders. For more information please see here.

Toolbar in Detail

AOV Preview

AOV dropdown menu

The AOV dropdown menu lets you easily preview any AOVs currently active in your scene. This can be helpful for diagnosing render issues like noise by being able to isolate the different render passes and see where the source of your noise is coming from. Below are some examples of a simple sphere, ground plane, and domelight scene. You can even check most of your AOVs during an IPR.

For more information on AOV's see here.

Changing current AOV

Color Channels

Color Channel dropdown menu

The Redshift Render View lets you quickly switch between viewing different color channels as demonstrated in the images below. This works on AOVs as well.

Changing the Color Channel display

Show Output Before Denoising

Toggling Show Output Before Denoising on and off

The Show Output Before Denoising button simply toggles back and forth between the denoised output and the before denoising render output. This allows you to quickly switch back and forth seeing the difference with and without denoising.

Region Render

Region render demonstration with frame region feature

The Region Render button: or "R" hotkey toggles between full-screen or region rendering. Once in region rendering mode you can move around and resize the rectangular marquee that defines where Redshift will render.

Camera Select & Camera Lock

Camera selection dropdown menu

Redshift allows you to select which scene camera to render from right inside the Render View by using the Render Camera dropdown menu. When you select a camera from the dropdown menu the Camera Lock button is automatically enabled. When the Camera Lock button is enabled Redshift will continue to render from your selected camera, even if you change active cameras in your DCCs viewport. This allows you to easily render from the correct perspective but continue working from a different perspective in your DCC. When the Camera Lock button is disabled again, Redshift will automatically switch back to the "< Auto >" camera selection mode which will render from the active camera.

Changing cameras

Freeze Tessellation

The Freeze Tessellation button: lets you toggle on or off tessellation freezing. If you're using tessellation in your scene freezing tessellation can greatly improve your IPR responsiveness. When freeze tessellation is enabled Redshift will do its best to avoid re-translating the geometry each time a change is made. Depending on how much you are tessellating in your scene, freeze tessellation can mean the difference between near-real time IPR responsiveness or a slide show due to updating the tessellation on each new frame or scene change.

This demonstrates a scene with adaptive tessellation and how Freeze Tessellation will stop Redshift from updating the tessellation on a camera change.

Render Mode

Render Mode dropdown menu

The Render Mode dropdown provides a quick way to switch between different diagnostic modes during an IPR render. Your three options are the default beauty render mode, a clay render mode, and a show samples view mode.

Switching between the different render modes

The Show Samples render mode enables a debug rendering mode which shows the numbers of rays that were shot for each pixel in a grayscale form. Darker pixels mean that fewer rays were shot while brighter pixels mean that more rays were shot. A pure white color means that 'max samples' rays were shot for that pixel. When this rendering mode is enabled, the noisy parts of the image will typically be brighter because the unified sampler will shoot more rays trying to clean up the noise. For more information on Unified Sampling please see here.

Snapshots

Snapshots are saved versions of previous renders, you can use this to compare different render settings or scene changes. Start by bringing up the Snapshots bar by clicking the Snapshots button: or and then click on the Take Snapshot button: to save a render to the Snapshots bar. You can switch back and forth between different snapshots by clicking on them. You can rename your snapshots by double clicking on the text over each snapshot and writing your own caption as demonstrated below.

Opening the Snapshots bar and editing two snapshots

You can also compare screenshots by setting an A and B snapshot by right clicking on them in the Snapshots bar or controlling this in the lower right of the Snapshots bar. Once set you can move around the point where the comparison is masked as well as rotate it and adjust the opacity between the comparison as demonstrated below. 

Comparing two snapshots

In the bottom right of the Snapshots bar you can view snapshot specific render data including the total render time, frame number, date, and resolution. Here you can also double click in this section to add your own notes as demonstrated below.

Adding notes to a snapshot

You can choose between either a horizontal or vertical Snapshots layout and control what notes are automatically saved with your snapshot as demonstrated below.

Customizing Snapshots

You can also retrieve the PostFX settings used at the time of your previously saved snapshots. For more information on PostFX please see here.

Loading PostFX settings from snapshots

IPR Render Zoom

Render zoom toolbar options

The Redshift Render View has several different IPR zoom modes that can behave quite differently as explained below:

• Original Size: This mode forces Redshift to render at the current render resolution. You can control how zoomed in you are with the zoom percentage control.

Render View adjustment behavior when set to Original

• Fixed Scaling: This mode lets you render at a fixed resolution scale which is a custom percentage of the current render resolution. For example, if your current render resolution is 1920x1080 and you set the right percentage control to 50% then Redshift will render at 960x540. The left percentage controls how zoomed in you are as usual.

  
  

  Fixed Scaling is not affected by changing the shape or size of the Render View.

Resolution Scale: 100% Render Resolution: 1280x720 Zoom: 100%	30% 384x216 500%	200% 2560x1440 75%
	Fixed Scaling controls

• Fit Window: This mode places an emphasis on always fitting the entire render in view by using the shortest of either the width or height in determining the constraint on the render resolution. You can control how zoomed in you are with the percentage control.

Render View adjustment behavior when set to Fit Window

• Fill Window: This mode places an emphasis on always filling the render to the entire space available in the render view by using the longest of either the width or height in determining the constraint on the render resolution. You can control how zoomed in you are with the percentage control.

Render View adjustment behavior when set to Fill Window

Settings

Display

Settings Display tab

The Display tab is home to all your Render View image processing settings. Here you can adjust color management options, PostFX, and the Render Info output with each frame in the Render View.

PostFX includes LUTs, Color Controls, Photographic Exposure, Bloom, Flare, and Streak. For more detailed information on PostFX please see here.

General

General options

Apply to file output

When enabled this options applies all your current display settings to any saved file output. When disabled you can still preview your image in the Render View with your current display settings but they will not be saved out with the file.

Enable PostFX

This option quickly toggles all PostFX settings on or off.

Color Management

Redshift uses an Open Color IO (OCIO) color management system which makes use of an ACES color rendering space with an sRGB display transform by default. For more color management options and information, like setting your own OCIO config file, please see the Globals page and Color Management pages.

Color Management options

Display

This is the Output Display Transform that should be set to a color space that is supported by the display that you are working on, for most people this will be sRGB.

View

This determines how the image is displayed on screen and works in conjunction with the Display transform. By default this can be set to an ACES SDR tone-mapped result, un-tone-mapped, a logarithmic color space (ACEScct) or the raw linear result which is unaffected by the Display transform.

Post Effects

PostFX subsections

These settings are all considered Post Effects. Below are a few quick visual examples of each feature but please see the Redshift Camera page for more information.

 

LUT	Color Controls	Photographic Exposure
Bloom	Flare	Streak

Denoise

OptiX Denoise options	Altus Denoise options

The Denoise options allow you to quickly adjust the denoise engine and related settings straight from the render view. For more information please see the Denoising page.

Render Info

Render Info options

The Render Info section lets you specify what information is printed with each rendered frame like render time and frame number. The information displayed is determined by various System and Scene tokens. You can also adjust location of the Render Info and the order of the information.

H. Align

Horizontal Align controls where the render info is printed in the renderview horizontally.

• Left
• Center
• Right

V. Align

Vertical Align controls where the render info is printed in the render view vertically.

• Top
• Bottom

Format

Format controls what is printed in the render info and in what order it is printed.

By right clicking the Format entry window you can see a list of valid System and Scene tokens as demonstrated below.

Adding a Camera Scene Token

System Tokens

Token	Description
<date>	Date rendered.
<resolution>	Render resolution.
<rsversion>	Redshift version number.
<time>	Time when submitted for rendering.
<env=>	Enter your environment variable here and your environment variable value will be printed.
<rsopt=>	Enter a render option here and the current value will be printed. Available render options can be found in the expandable list below.

Render Options:

Click here to expand...

FrameID BlockRenderingOrder BlockSize ProgressiveRenderingEnabled ProgressiveRenderingNumPasses ProgressiveRenderingDownrezRate UnifiedMinSamples UnifiedMaxSamples UnifiedAdaptiveErrorThreshold UnifiedFilterType UnifiedFilterSize UnifiedMaxOverbright UnifiedDebugDrawSamples UnifiedDisableDivision UnifiedRandomizePattern MotionBlurEnabled MotionBlurDeformationEnabled MotionBlurNumTransformationSteps MotionBlurNumDeformationSteps MotionBlurFrameDuration MotionBlurShutterStart MotionBlurShutterEnd MotionBlurShutterPosition MotionBlurShutterEfficiencyType MotionBlurShutterEfficiencyForTrapezoidal DenoiseEngine DenoiseAltusKC1 DenoiseAltusKC2 DenoiseAltusKC4 DenoiseAltusKF DenoiseAutoCreateAovs DenoiseSaveBuffers Do8BitQuantizationAndDithering MaxTraceDepthReflection MaxTraceDepthRefraction MaxTraceDepthCombined MPWHairEnabled MPWHairAutoThreshold MPWHairThreshold MPWHairTraceDepth RussianRouletteImportanceThreshold RussianRouletteFalloff ImportanceEnable DirectLightingShadowCutOffThreshold DiffuseSamplingCutOffThreshold ReflectionSamplingCutOffThreshold RefractionSamplingCutOffThreshold DirectLightingCutOffThreshold GlossyRayMaxOverbright SpecularEnable ReflectionsEnable RefractionsEnable SubsurfaceScatteringEnable EmissionEnable TessellationDisplacementEnable EnableMaterialsMaxCombinedOverrides DomeLightsAffectedByRefractionEnable AreaLightsAffectedByRefractionEnable

ReflectSamplesEnabled ReflectSamplesMode ReflectSamplesCount ReflectSamplesScale RefractSamplesEnabled RefractSamplesMode RefractSamplesCount RefractSamplesScale AOSamplesEnabled AOSamplesMode AOSamplesCount AOSamplesScale LightSamplesEnabled LightSamplesMode LightSamplesCount LightSamplesScale VolumeSamplesEnabled VolumeSamplesMode VolumeSamplesCount VolumeSamplesScale SingleScatteringSamplesEnabled SingleScatteringSamplesMode SingleScatteringSamplesCount SingleScatteringSamplesScale MultipleScatteringSamplesEnabled MultipleScatteringSamplesMode MultipleScatteringSamplesCount MultipleScatteringSamplesScale PrimaryGIEngine SecondaryGIEngine NumGIBounces ConserveGIReflectionEnergy PhotonGIEnable PhotonCausticsEnable PhotonMode PhotonFilename PhotonFirstBounceIDToUse PhotonMaxTraceDepthReflection PhotonMaxTraceDepthRefraction PhotonMaxTraceDepthCombined PhotonGISearchRadius PhotonGIMaxNumToGather PhotonCausticsSearchRadius PhotonCausticsMaxNumToGather PhotonUsePerPhotonIrradiance PhotonDebugDrawPoints BruteForceGINumRays IrradiancePointCloudMode IrradiancePointCloudFilename ShowIrradiancePointCloudCalculation IrradiancePointCloudScreenRadius IrradiancePointCloudNumSamplesPerPixel IrradiancePointCloudFilterSize IrradiancePointCloudRetraceThreshold IrradiancePointCloudDebugDrawPoints IrradianceCacheMode IrradianceCacheFilename IrradianceCacheFlythroughMode ShowIrradianceCacheCalculation IrradianceCacheUseSeparatePointsForSecondaryRays IrradianceCacheMinRate IrradianceCacheMaxRate IrradianceCacheColorThreshold IrradianceCacheDistanceThreshold IrradianceCacheNormalThreshold IrradianceCacheMinDetail IrradianceCacheRadiusFactor IrradianceCacheNumRays IrradianceCacheAdaptiveAmount IrradianceCacheAdaptiveErrorThreshold IrradianceCacheNumSmoothingPasses IrradianceCacheDebugDrawPoints

SubsurfaceScatteringMode SubsurfaceScatteringFilename SubsurfaceScatteringRate SubsurfaceScatteringInterpolationQuality SubsurfaceScatteringNumGIRays SubsurfaceScatteringOverrideMode TextureSamplingTechnique CopyToTextureCache EnableAutomaticReprocessingOfPreConvertedTextures EnableDetailedTextureProcessingReporting BumpMapBias PhotometricUnitsToMeterScale PhotometricCandelaMetersSquaredFactor DisableShadowRayBiasing DoCompleteRTHConstruction RTHMaxNumLeafPrimitives RTHPolygonSplitThreshold AbortOnLicenseFail AbortOnMissingResource RenderInCameraSpace FreezeTessellation DisableBumpSmoothingOnLightingSilhouettes HairTessellationMode SuppressTiledTextureWarnings SuppressTextureConversionMessage EnableSecondaryRayClampingOnFirstBounce EnableLegacyCutOffsRules EnableLegacyNonInverseSquareLightDecay EnableLegacyBumpSamplingTechnique EnableLegacyNoGIFromVolumeScattering EnableLegacyVolumeGridEmission GammaCorrectColorInputs GammaCorrectColorAttributes AutomaticMemoryManagement GPUMemoryInactivityTimeout PercentageOfGPUMemoryToUse MaxNumGPUMBForIrradiancePointCloudHierarchy MaxNumGPUMBForForICPHierarchy PercentageOfFreeMemoryUsedForTextureCache MaxNumGPUMBForTextureCache NumGPUMBToReserveForRays MaxNumCPUMBForTextureCache EnableDebugCapture EnableDebugCaptureShaderIntegrityCheck EnableDetailedTextureSamplingStats DisplacementDebugLevel AOVDeepMergeMode AOVDeepMergeZThreshold AOVMaxOverbright AOVMaxOverbrightEnable AOVDisableImportanceOptimizations AOVFixRawHaloArtifacts VolLightingEnabled VolLightingTint VolLightingFogAmbient VolLightingFogOrigin VolLightingFogNormal VolLightingApplyExposureCompensation VolLightingFogHeight VolLightingFogHorizonBlur VolLightingScatteringCoefficient VolLightingExtinctionCoefficient VolLightingPhase VolLightingRayContributionEnvironment VolLightingRayContributionCamera VolLightingRayContributionReflection VolLightingRayContributionGI VolLightingReplaceAlphaOnEnvironment ShadowLinkingMode MaterialOverrideEnabled MaterialOverrideColor

Scene Tokens

Token	Description
<camera>	Render camera.
<exporttime>	How long the sceen took to export from the DCC to Redshift before rendering began.
<frame>	Which frame number was rendered.
<frametime>	Total time taken to render. (Export Time + Render Time)
<rendertime>	Time taken to render after exported to Redshift.
<scene>	3D scene file name.
<scenetime>	Scene time in seconds.

DCC Specific Scene Tokens

Render Info Examples:

Render Info Text: E <exporttime> R <rendertime> F <frametime>	Frame <frame>: <date> <camera> <time> (<frametime>) (Default)	[ <rsopt=UnifiedMinSamples> / <rsopt=UnifiedMaxSamples> ]

Pixel

The Pixel tab lets you quickly see per-pixel information simultaneously across your beauty render and AOV passes. The x and y coordinates and color information for the pixel beneath your mouse cursor are displayed in real time to the right side of the render view. You can also store pixel color information by clicking anywhere in the render view. If you want a visual representation of your currently stored pixel enable "Pixel Sampler Region" in the View menu that draws a red rectangle arround the current selection.

Settings Pixel tab

Shortcuts & Navigation

The render view has a number of different options and keyboard shortcuts that give you flexibility with how you view your render. You can zoom and pan in the render view the same way you would in one of the 3D viewports and create your own custom keyboard shortcuts for most of its features. To create your own keyboard shortcuts access the Customize > Controls section pictured below.

Shortcuts menu

Redshift has the default keyboard shortcuts listed below, these can be changed to your own shortcuts if you prefer.

Title	Shortcut	Description
Snapshots	S	Opens the Snapshots bar.
Settings	O	Opens the Settings tab.
Region	R	Enables Region rendering.
Frame All	F	Frames the entire render inside the render view.
Frame Region	CTRL + F	Frames the currently defined region render area to fit in the render view.
Regular	CTRL + R	Sets the render mode to regular rendering.
Clay	CTRL + L	Sets the render mode to clay rendering.
Samples	CTRL + M	Sets the render mode to samples visualization.
Zoom 100%	CTRL + 1	Sets the zoom of the render back to 100%, the native resolution of the render.
Zoom Reset	CTRL + 9	Resets the zoom of the render back to 100%.
Flip Horizontal	H	Flips the render horizontally.
Flip Vertical	V	Flips the render vertically.
Copy Frame Buffer	CTRL + C	Copies the frame buffer to your clipboard.
Take Snapshot	=	Add current render to Snapshots bar.

This animation demonstrates a number of the above features in action.

Additional Features

IPR Undersampling

IPR Undersampling menu

IPR Undersampling is another feature that can increase responsiveness during IPR rendering. The IPR Undersampling value determines how much the render resolution is divided in its first passes. Higher undersampling values mean a faster first pass because of the lower resolution during those first passes. Essentially this settings allows you to sacrifice some clarity on the first couple of passes in exchange for the benefit of some speed in render view feedback. You can compare the difference between undersampling values in the animation below.

IPR Undersample values in buttom left of each quadrant

DCC Specific Features