Dome Light

Table Of Contents

• Introduction
• Object
• General
• Environment
• Back-Plate
• Details Tab
• Project Tab

Introduction

The Redshift domelight is an infinite, texture-mapped area light. Using HDR images you can achieve high-quality lighting results that would otherwise require several lights. Since a single dome light can reproduce the lighting of several distant lights, it can help with performance, too. Furthermore, given that the HDR image can originate from a real-world environment, the dome light is an important tool to match the lighting of cg elements with live-action elements.

Object

Type

Specifies the light type.

• Point: A point light. Simulates a 'bare bulb' light which emits light in all directions from an infinitesimally small point in space.
• Spot: A spot light. Emits light in a cone-shape.
• Infinite: Simulates a light source which is infinitely far away from the scene. An infinite light has no position, only a direction. Therefore all light rays emitted are parallel and have no decay.
• Area: A light which has a real physical size and shape.
• Dome: Simulates light emitting from a large sphere that always surrounds the entire scene. You can think of this as a sky that illuminates your objects and that can also be mapped with an image, for example. The dome light can thus also be used like a Cinema 4D Sky object.
• Photometric IES: Allows to load an IES Profile files to control the amount and direction of emitted light.
• Portal: A special type of light source that can optimize the calculation of global illumination. Often used in window frames for interior renderings to optimize the rendering of indirect light coming through the windows.
• Physical Sun: Similar to the Infinite light, but specially designed to mimic sunlight, including a color change depending on the angle of incidence of this light source.

Add Graph

Many settings of the Redshift light object can also be set through the material node system. Using this button will create a new Redshift Shader Graph material and connect it to this light.

Light parameters controllable by a light shader include the lights Color settings, Decay, Shadow options and Attenuation.

Edit Graph

If a Shader Graph material has been asigned to the light, you can open the Redshift Shader Graph by using this button and edit the shader directly there.

Add Target Tag

Add Target Tag and Null

You can find these commands in a menu to the right of the Type menu. You can use them to add a Target expression tag to the light. By linking an object to that tag you can aim the z axis of the light to that object. Using the Add Target Tag and Null command creates an additional Null object and uses that as the Target Object with the Target expression tag.

General

Intensity

Specifies the intensity of the light or the number of physical units (see below).

Exposure (EV)

Specifies an f-stop value that allows you to intuitively increase/decrease the light's intensity when matching to a plate, or rendering large/tiny scenes without using hugh/miniscule Intensity Multiplier numbers. A value of 0.0 means the intensity does not change.

For example, an Exposure value of 1.0 means the light doubles in intensity and a value by 2.0 means the light quadruples in intensity, etc.

Exposure (EV): 0.0	1.0	-1.0

Color

You can use this color not only for the light, but also to use as a visible background color, if the Background option is active. If you decide to load a Texture this color will get multiplied with the texture.

Tint Color:

Texture

Specifies the image that will be used as a light source. The configured Color will be multiplied with this texture.

Below you can see the same scene lit with three different HDRI dome maps with Enable Background turned on.

Texture: Greenwich Park	Circus Arena	Skylit Garage
Example images use HDRI's from PolyHaven

Perhaps the most important element of a dome light is its texture map. Ideally, HDR textures in OpenEXR format should be used because they can capture a wide range of intensities. Such HDR can textures can either be obtained in the web or an application (like "HDR light studio") can be used to author them.

Here are a couple of important things to remember regarding the texture map:

• Very small, very bright spots on the texture map will produce sharp shadows
• Large spots will produce softer shadows

In a sense, the domelight's texture features behave like area lights: large area lights produce soft shadows while small area lights produce sharper shadows.

Below are a couple of shots demonstrating this. The first image of each pair is the dome light map and the second is the final rendered result.

The dome light map contains only two small boxes. This is not an HDR map and, because the boxes are small, they can produce very dark lighting results by default. To fix this issue, the dome light's 'tint' parameter was set to (60, 60, 60). Because of the small bright boxes, the shadows on the final render are fairly sharp.

For the next example, the boxes were made bigger. The more brightness a dome light map contains, the brighter the lighting. For this reason the 'tint' parameter was reduced to (2, 2, 2). As it can be seen on the final render, larger boxes create softer lighting.

Texture Type

Specifies the type of image that is used as the light source:

• Spherical – sampled as a longitude/latitude full sphere map
• Hemispherical – sampled as a longitude/latitude hemisphere map
• Mirror Ball – sampled as a mirror ball map
• Angular – sampled as an angular map

Flip Horizontal

Some renderers use a different convention for how a domelight should wrap around the virtual world in the X axis. The Flip Horizontal option, as the name suggests, flips the domelight in the X axis to help match the look of a different renderer.

Hue

You can use this value to shift the colors used in the loaded texture. If you just like to color the loaded Texture, you can use the Color instead.

Hue: 0.0	60.0	180.0

Saturation

This is a percentage value, so 100 results in the full saturation of the loaded Texture being used. Since this Saturation only applies to the loaded Texture, you can still use the Color setting of the light.

Saturation: 100	30	170

Gamma

This setting sets the gamma value for your dome map. Higher values can help increase contrast in the dome map while lower values reduce contrast. Depending on your dome map adjusting gamma can help to adjust your scenes lighting when you want sharper or softer shadows.

In the examples below the exposure has been adjusted slightly to counteract the gamma change.

Gamma: 1.0 Exposure (EV): 0.0	0.5 1.0	1.2 -1.0

Environment

 

Replace Alpha Channel

When enabled this allows you to over-ride the texture alpha values, which may be necessary if they are either non-existent or not correct.

Typically, for environment textures, the alpha value should always be 0.0, if you plan on compositing environment layers.

Alpha

This is the alpha value that will be used instead of the texture alpha values when Replace Alpha Channel is enabled.

Back-Plate

Details Tab

See common descriptions of the Redshift Light object.

Project Tab

See descriptions of Light Linking and Shadow Linking here