Don’t be surprised that all filters are described on a single page. We will be using one and the same object only with different settings.
This slider is used to adjust the strength of the filter.
Here you will find a description of the Volume Type Signed Distance Field.
Note that the Smooth filter’s settings are identical to the SDF, Fog and Vector options and are therefore also shown here.
The Smooth filter smoothes the transition of Voxel values.
Depending if the Offset has a negative or positive value, the surface will be offset inwardly or outwardly.
Depending if the Offset setting has a positive or negative value, the outer surfaces will first be moved inwardly and by the same distance outwardly (closes holes and smoothes details, for example) or these surfaces will first be moved outwardly and then by the same distance inwardly (connects objects that lie in close proximity).
These fiters can produce very interesting results. As always, it’s a good idea to experiment. You can, for example, use Hair (the Hair object can generate both splines and polygons) in a Volume Builder. Interesting structures can be created using these filters:
The following is done to render the current Voxel:
This is all not easy to understand and rather abstract. Since the results are often similar, the best thing you can do is experiment in your scene to see which results are produced.
This value can not be defined for all Filter Types.
This value defines how many neighboring Voxels (in all 6 directions), in a cube-shaped area, will be used to further calculate the individual Voxel. The greater the value, the broader the smoothing effect will be. Render times will increase accordingly as the value increases!
This value is added to each Voxel value. Negative values are also possible. In practice, this means that the surface will be raised or sunken for most filter types.
Here you can define how often the filter should be applied. The render time will increase accordingly with increasing values and the filter effect will be stronger.
Here you can select from 5 filters. These define how precisely or exactly the calculations should be made. The filters are arranged in order of increasing accuracy per type (Bias or Weno) from top to bottom (render times will increase accordingly). Test each one to find out which one works best for your respective scene.
These settings are used to create more volume so the filter can work better. This is a reference to the problems described here. Note the hierarchy and the order in which the filters are arranged in the object list (processed from top to bottom!). The volume resize is only applied to the volumes directly below it. Objects that appear later in the list are not affected.
However, Voxel Range will generate Voxel layers both above and below the original surface. This can be defined separately in the Volume Builder, which can result in faster calculations (and is definitely the recommended and more precise method).
The Smooth filter smoothes the Voxel transitions (see Signed Distance Field above).
Here, the value range can be converted not linearly but using a spline.
This filter multiplies the current Voxel value with a multiplier defined below.
This mode mirrors the Voxel value range around a mean value or a freely definable center point.
Use this mode to add the Voxel values to the Add setting that apears.
Works like the Range Mapper XPresso node. A Voxel value range will be converted linearly to another value range (see below).
Here, you can enter the values for the Multiply and Add modes described above.
These settings will be made available if Type is set to Invert. Auto-Detect Center uses the largest and smallest Voxel values to ascertain a mean value on whose basis the value range will be mirrored. Disable this option if you want to freely define the mirror mean value using the Mirror setting.
If Type is set to Range Map, the Voxel range will be replaced by a new one (similar to the Bereichswandler XPresso node). The Min and Max settings can be used to define this very precisely.
Example: these 4 Voxel values are present: 0, 1, 4, 5.
This is useful if a value range is incompatible with another. Example: A grid’s Voxel values range from 0.1 - 0.2. A shader, for example, works best with values between 0 and 100. By entering exactly these 4 values, the best possible result will be achieved.
If Type is set to Curve, the Voxel range will be converted based on this definable spline (and not linearly as with Range Map).
If Volume Type is set to Vector, 5 options are available for affecting the Volume Vectors:
Curl converts an existing volume vector and is a function that is not easy to understand. To explain this in detail would take us into the depths of math. This is why only the main purpose of this filter will be explained: It creates random fields (noise) from vectors that always target the null region of the noise - particles can get caught up here - vectors that produce looping movements with circular or vortex-like paths.
This is illustrated in the image above. On the left the particles remain stuck in certain regions and on the right they continue their movement.
If Rotate is selected, each individual vector (representative for all vectors per Voxel) will be rotated around its axis at its origin.
Here you can define the rotational axis starting from the Volume Builder’s object corrdinate system. If Custom is selected, a unique vector can be defined:
Here you can define the axis direction around which the vector should rotate. 1, 0, 0 will define a vector parallel to the X axis and 0, 1, 0 parallel to the Y axis. The Volume Builder’s object coordinate system will be used.
Here you can define the angle around which the vectors should rotate.
The following settings are available for the Scale function:
Use this setting to scale the length of the directional vector. A value of -1 will reflect the Invert function’s behavior.