This option appears, for example, if a Sphere primitive (it has its own Perfect Sphere option) is dragged into the list. A perfectly round sphere without facets will be used for the Volume.
Enable this option if the Volume should be generated around the object points using spheres instead of around the polygon surface.
Note that the Voxel layers around each sphere (with the adjustable Mesh Point Radius) always have the same thickness on the inside and outside an can only be defined using the Outside Voxel Range setting (located in the Voxel Size menu.
If you use standard or Thinking Particles, the particle size will be used (for Thinking Particles, for example, the Size setting) to replace the Radius.
Use this setting to define the radius of the spheres that are placed around each particle or arranged (and joined) along a spline. Larger radii will produce correspondingly more "blobby" shapes; smaller values will keep the shape correspondingly closer to the particle/spline (in as far as other settings permit this).
If Volume Type is set to Fog, this option must be enabled for porous objects so that the Volume Builder can function correctly.
Larger values will create a correspondingly longer, tapered Volume trail behind each particle. A value of 0 will disable the effect.
This is an excellent method for creating self-closing elements such as an open wound or a tunnel, etc. (by applying a Boolean subtraction to the particles).
Use this setting to define the density of the spheres arranged along a spline. Values that are too low will result in individual spheres remaining visible (mostly visible if the Voxel Size is too small):
If Volume Type is set to Fog, this setting defines the number of Voxel layers through which the Voxel’s value will transit from the outside (=0) to the inside (=1). Smaller values will produce a correspondingly faster transition (most of the inside has a value of 1); larger values will produce a correspondingly more linear transition.
If Volume Type is set to Fog, the Maximum Voxel Falloff option will, if enabled, define a continuous, linear value falloff from 0 to 1 from the outside to the inside. For more complex, combined objects, only the most voluminous (largest) part will reach a maximum value of 1:
Inside Voxel Falloff is enabled on the left, disabled on the right. Note the more gradual transition in conjunction with the Inside Voxel Falloff on the left and the abrupt transition on the right. The Volume Mesher can be used on the left to create a continuous polygon surface over the entire Volume, while on the right it would be restricted to a small area near the original surface.
Generally speaking, this option should be enabled since more consistent effects can be achieved with it.
These are objects that generate spatial values mostly between 0 and 1. Take a look at a Spherical Field, for example, whose default value of 1 at the center falls off to 0 at its edges. The Surface Threshold value defines how a Volume can be created using these values. If it’s set to 0.5, a surface will be used for an enclosed Volume hull that runs through the values of 0.5:
If Fields or similar objects (e.g., Random Fields or Falloff objects) are used to generate Volume, you have to define the space in which the Voxels will be generated. Otherwise the scene will be completely filled with Voxels, which would crash your computer.
2 options are available:
Defines the size of the box within which the Voxels should be generated.
Use this setting if you also want to freely place and rotate a box (instead of only using the Volume generator’s matrix).