NEW IN S22

BodyPaint 3D Getting to Know Texture View Viewport menu UV Settings
Function available in CINEMA 4D Prime, Visualize, Broadcast, Studio & BodyPaint 3D
UV Settings

Display Filter Back

Display

UV Display

Use this option to enable/disable the display of all UV-specific elements both in the Texture UV Editor and the Perspective Viewport.

 Overlays

Pins

This option will color UV Pins that, for example, are used by the Relax UV algorithm.

Boundaries

Here you can define how the edges of UV Islands should be displayed. You can select from the following options:

UV Mesh

This option can be used to display/hide the points, edges or polygons of the UV mesh in the Texture UV Editor. Selected elements will still be displayed independently of this setting.

Shading

This setting can be used to overlap the background or texture with UV mesh or UV Islands in accordance to a definable Transparency:

Lines

The UV Islands will not be colored, the background or texture beneath the UV mesh will be completely visible. The UV Mesh setting (see above) defines if points, edges or polygons (in other words lines) should be displayed.

Overlapping Polygons

For UV meshes, overlapping of the mesh is often not wanted (exception: symmetrical UV Islands are often congruent). If this option is enabled, this overlapping will be displayed in bright red (see here).

Filled Polygons

UV Islands are filled with a single color so available UV surfaces can be easily recognized. Polygon regions with reversed Normals will by the way be colored blue (note that the reversed UV polygon is not necessarily a reversed polygon and vice-versa).

Multi-Color Islands

Each UV Island will be assigned a random color so that they can be more easily differentiated both in the Texture UV Editor and the Perspective Viewport.

Distortion

After each distortion of the UV mesh it will be colored blue (stretched), red (squashed) or light gray (undistorted). See also below.

What are distorted (stretched and squashed) UVs?

An unwrapped pipe. Center: only one UV Island but with a large distortion. Right: numerous UV Islands but with almost no distortion.

The proportions of ideal UV polygons resemble those of the corresponding object. Only then can textures be positioned on the object without distortion. An optimal unwrapped mesh would then be gray with as few seams (or UV Islands) as possible. This, however, is itself contradictory and you will have to make a compromise.

In times of Projection Painting, these criteria are, however, of less importance (you primarily have to make sure that UV meshes are free from overlapping).

Another method to determine the degree to which the UV mesh is distorted is to enable Background UV Map (Background tab) in the UV Settings. A tile texture will be placed onto the object, taking the UV mesh into consideration.

Opacity [0..100%]

Here you can define the opacity with which the colored or filled UV Islands should be displayed over the background or texture.